We both adore those records that do everything with nothing, what they leave out as important as what they include. Version is one of those imprints that borrows heavily from a dub mindset, loads of delay, space and hypnotic rhythms. Orson heads things up by keeping with a brief that means all the output interconnects.
Check that Yak Mido for a sure fire percussive club no that always slays!
Now the weather is (sort of) on the turn and our hopes and dreams turn to Summer, I have dug out some of New York’s finest – Easy Street. Not all of the output on this label is to my taste, but a lot of their dubs are sublime.
As per usual 5 below that I like to play and the last one a big dumb dj tool that can on the right occasion work!
(No Dub of this on youtube but it’s great)
(Nevins putting a donk on it – don’t judge it until you play it out!)
So many (good) ideas. An explosion of styles and sound. I keep coming back to these songs for inspiration. A label that could house the brutal with the beautiful and make it work. To me like many ‘things’ the sweet spot is the early stuff. Records for the head, heart and feet.
There are very few producers in modern electronic music that can consistently give that goosebump feeling in the way that a Levon Vincent production can.
He seems to have that balance of not too much, nor too little down and always raw machine made soul.
It was impossible to pick five so here are ten LV essentials…
I bought a Mute record recently that I didn’t know. It’s probably quite an obvious one, but like many things it completely passed me by, it’s Duet Emmo – Or So It Seems btw. Beamed from the future in 1983. Like a lot of art, it’s the early stuff that is the most exciting.
Going through those early Mute releases, the sheer quality and hit rate is mind blowing. 5 Below that still find their way into my bag.
Ps I know Throbbing Gristle was a re-issue by Mute, but it shows they had excellent taste!
So it was 303 day yesterday but for some of us it’s acid every day, a classic sound that never dates and something we always find room for in our sets.
It did get me thinking about five timeless acid numbers that still sound as fresh as the day they were conceived though…
There is a shop here that unsurprsingly seems to have an endless stream of Factory records. I have a bit of a routine whereby I stop off on the way to the airport back to Belfast for a dig at the weekends. Recently I bought a couple of releases that I wasn’t aware of. One of those moments where you wonder why you didn’t know this stuff?
Anyway… It’s reminded me how ridiculously good, diverse and broad Factory and it’s offshoots were.
No, well forget the recent tech house by numbers Marc Kinchen but in the early days, raw house so bloody amazing that it still works the room over today.
You know the drill by now, five still good to go below…